Becs Boyd
This work is priced unframed.
This is part of a body of work exploring 'fencing the wild'. It is fuelled by seeing at first-hand the devastating impact of deer over Scotland's treeless hills, and the miles of deer fence needed to protect any living trees. The work was made with access to only basic printing tools. It draws on the iconography of the Alta petroglyphs, which chart on rock relationships between man and deer over millenia. The work reflects on fences and boundaries, freedom and constraint, fear and security in a Climate-aware world.
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